Stingrays

23 07 2010

At 5:00 a.m. the Pacific Ocean was onyx black, illuminated only by the small globe lights along the pier.

Stacey led the way into the water, advising, “Make sure to slide your feet along teh bottom. There are lots of stingrays here. They look like small bat rays, but they have a long tail with a stinger at the very tip, and they’ll zap you if you step on the It’s just a defensive mechanism – they don’t attack – but if you get stung, your foot will become as large as a football. If you slide your feet, you’ll stir up the bottom sand and scare them away.”

– Swimming to Antartica, Lynne Cox

image source

I remember now going to Mandurah one still, hot afternoon when all the fish were hiding from the white hot heat, and all that we hooked up were blowies and seaweed. You can’t relax completely when fishing – at least not this kind of fishing, on the rocks, by the river. You have to be alert at all times to the possibility. I am an impatient person by nature but something about fishing does calm me, allows me to focus my intensity down to a tiny nib, on the tip of that rod, angling for the tiniest change of the strain on the line. So I wait intently, my mind never off that fine point. But no bite, except for the infuriatingly strong tug of the blowies chasing my line near the surface. No bite.

Then this large diamond of dark water floats by , nearer, nearer, along the path of the great Swan River, but but it was too purposeful, too concrete a dream to be just a dark patch of rock. Besides, it was moving, much faster than shadow could, faster than the current. “It’s the ray,” someone said, and it was – a majestic glide of dark water, patrolling up and down the river in deep water. Moving so swiftly it was like a testellating shape dancing before the eyes, like a dazzling pattern that throws a different diamond into relief each split second, only real. You’re almost sure it’s an illusion – are more willing to believe the illusion, than the thing itself.

“Has anyone tried to catch it?” I ask, and almost immediately regretted my question. Everyone laughed at the evident newbie on the river.

“What would you do with it – eat it?”

I realized the profound bravado I’d just let show, the disrespect I’d expressed for the great ray. How could I, new to fishing, new to Mandurah, expect to catch, much less cook and eat the monarch of the river?

And besides, wasn’t it just cruelty, a callous greed, to imagine taking up that flat slab of a head for the sake of being able to say I did it – just for the sake of a good story I could tell friends, on the other side of the world?I felt a little like Job, being told to consider the Leviathan, the sea boiling like a pot.

The afternoon lazed on, and we tanned on the fruitless docks of the Swan. Fishless, we trooped back to the cars, sweaty and a little burnt, some of us, gulping from the big bottles of water we had hauled over and had been too absorbed to drink from, laughing at our empty handedness. But some of us were determined to get at least some action, to have something to show for the whole day spent in pursuit of invisible fish.

We packed up and drove ourselves to Freemantle, where the mighty Indian Ocean lapped at the great skull rocks, unobstructed for miles and miles, to try our luck there.

And I realize if you live in a place for long enough with an eye for beauty always staring wide open, you realize that the thing inside your heart for it has an ancient, ancient name – the thing growing inside you without your bidding – and that that name is love.





The Second Fish

18 07 2010

Dollar Fish 774-WN. Violett Pelikan Ink, Fountain Pen, Watercolour. 17th July 2010.

2.5″ X 3.5 “(6.35 cm X 8.89 cm), Strathmore Cold Press Watercolor paper. (c) Judith Huang.





The First Fish

16 07 2010

Coral Fish 848-MN. Violett Pelikan Ink, Fountain Pen, Watercolour. 16th July 2010. 2.5″ X 3.5 “(6.35 cm X 8.89 cm), Strathmore Cold Press Watercolor paper. (c) Judith Huang.

So, by way of an attempt to make money, I am going to make little paintings of fish (and other objects) copied out of my Pictorial Webster’s: A Visual Dictionary of Curiosities by John Carrera (though the colours are from my own imagination). This is Coral Fish 848-MN.

I am going to look into making prints of this on postcards and other saleable commodities – any suggestions would be very welcome. As for the painting itself, I may put it on ebay.

Let me know your thoughts on this and how much you would be willing to donate if I sent you a fishie!





Invisible Fish

17 06 2010

The Map

Land lies in water; it is shadowed green.
Shadows, or are they shallows, at its edges
showing the line of long sea-weeded ledges
where weeds hang to the simple blue from green.
Or does the land lean down to lift the sea from under,
drawing it unperturbed around itself?
Along the fine tan sandy shelf
is the land tugging at the sea from under?

The shadow of Newfoundland lies flat and still.
Labrador’s yellow, where the moony Eskimo
has oiled it. We can stroke these lovely bays,
under a glass as if they were expected to blossom,
or as if to provide a clean cage for invisible fish.
The names of seashore towns run out to sea,
the names of cities cross the neighboring mountains
-the printer here experiencing the same excitement
as when emotion too far exceeds its cause.
These peninsulas take the water between thumb and finger
like women feeling for the smoothness of yard-goods.

Mapped waters are more quiet than the land is,
lending the land their waves’ own conformation:
and Norway’s hare runs south in agitation,
profiles investigate the sea, where land is.
Are they assigned, or can the countries pick their colors?
-What suits the character or the native waters best.
Topography displays no favorites; North’s as near as West.
More delicate than the historians’ are the map-makers’ colors.

- Elizabeth Bishop








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